This section of Whitman's poem is filled with sensory
writing; imagery is the most predominant poetic technique found throughout. Many of the
visual images are those of
nature:
- "Where the
panther walks to and fro on a limb overhead"- "Where the
buck turns furiously at the hunter"- "Where the
rattlesnake suns his flabby length on a rock"- "Where the
alligator in his tough pimples sleeps by the
bayou"- "Where the beaver pats the mud with his
paddle-shaped
tail"
The
specific details in these lines create the visual images. Here is another excellent
example of visual imagery from the poem:
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Where cattle stand and shake away flies with the
tremulous shuddering of their
hides
Not all of the visual
images capture scenes from nature; some are domestic, such as those found in this
passage:
Where
the cheese-cloth hangs in the kitchen, where andirons straddle the hearth-slab, where
cobwebs fall in festoons from the
rafters;
These images create
the interior of farm house kitchen or a cabin.
Tactile
imagery in the poem is not developed as frequently, but it is present and effective, as
seen in these examples:
- "Scorch'd ankle-deep by
the hot sand, hauling my boat down the shallow
river" - "The twinges that sting like needles his legs and
neck, the murderous buckshot and the
bullets"
In these passages, hot sand burns the
feet, and a runaway slave feels the physical pain of being
shot.
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