Thursday, March 17, 2016

In Lois Lowry's The Giver, how does the writer use character to express conflict?

You might want to examine this question by looking at the
way in which Jonas's job as Assistant Memory Keeper produces conflict between him and
his former friends. A key moment that demonstrates this is in Chapter Seventeen, when
the children enjoy an unscheduled holiday. Jonas is looking forward to playing with his
friends, but as they play a game whose meaning has been lost, Jonas recognises it for
what it is: a child's version of a war. Jonas is overwhelmed by memories that have been
"shared" with him of pain and conflict, and the game halts awkwardly. Asher and Fiona
are unable to comprehend or understand the viewpoint of Jonas, and we are left with an
image of Jonas by himself, overwhelmed by loneliness and
loss:



Jonas
trudged to the bench beside the Storehouse and sat down, overwhelmed with feelings of
loss. His childhood, his friendships, his carefree sense of security--all of these
things seemed to be slipping away. With his new, heightened feelings, he was overwhelmed
by sadness at the way the others had laughed and shouted, playing at war. But he knew
that they could not understand why, without the memories. He felt such love for Asher
and for Fiona. But they could not feel it back, without the memories. And he
could not give them
those.



Note here how Jonas,
in a sudden moment of realisation, realises how conflict has been produced from his
assignment. His knowledge of the past and the memories that have been shared with him
has produced conflict and division between him and his former friends, such as Asher and
Fiona. With sadness, Jonas realises that now his relationships have been irrevocably
affected for the worse.

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