Actually, according to the text, Hamlet intends to
            "catch the conscience of the King." (II, ii, 601)  This is
            an important distinction, because in "catching" rather than "testing" the King, Hamlet
            demonstrates to the audience that he is no longer wavering over whether the ghost he met
            in Act I was, in fact, his father, and the story and challenge of revenge that the ghost
            issued him was true.
In Act Three, Hamlet stages a play he
            calls The Mousetrap, which is the story of a King who is poisoned
            by his nephew as he sleeps in the garden.  The villainous nephew pours poison in the
            King's ear -- exactly the method described by the Ghost to Hamlet concerning the method
            used by Claudius to kill Hamlet Senior.  This performance is meant to be the means by
            which Hamlet catches Claudius.  Here, in Act III, scene ii, just before the play is
            performed, Hamlet instructs Horatio in testing for King
            Claudius:
readability="15">
There is a play tonight before the
            King:
One scene of it comes near the
            circumstance
Which I have told thee of my father's
            death.
I prithee, when thou seest that act
            afoot,
. . .Observe my uncle.. . . Give him heedful
            note.
And when Claudius
            witnesses the murder in the play, he jumps up, and abruptly exits the room.  Hamlet is
            convinced that this is evidence of Claudius' guilt, and ultimately follows Claudius with
            the intent to exact the revenge.  He catches Claudius at prayer, however, and refuses to
            kill him as he is asking forgiveness of his sins.  This moment is ironic however, as, in
            fact, Claudius is not forgiven his sins since he is unable to send his words up to
            heaven, but rather they "remain below."
For more on Act
            III, scene ii, please follow the links below.
 
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