Friday, July 12, 2013

How do the themes and concepts of Fahrenheit 451 support or refute the common concerns of the 1950s?

Bradbury wrote Fahrenheit 451 as a
response to an onslaught on books in the 1950s.


Bradbury
saw censorship run amok in the 1950s print media.  He saw to his horror books being
condensed in Readers Digest.  Full-length novels were reduced to mince meat, all for the
sake of quick and easy.


He also saw TV entertainment and
sports threatening the shelf life of books.  He feared that a generation of students
would be raised without books as a foundation for their
education.


As a successful author, he received pressure
from political, religious, and other minority groups all wanting to take out or add to
his books and stories.  He received mail that suggested he add more black characters,
get rid of politically incorrect plot-lines, add more women characters, focus more on
family values, get rid of all the violence.  The list went on and on until Bradbury had
had enough.


In "Coda," his author's afterword, Bradbury
says:



There
is more than one way to burn a book.  And the world is full people running about with
lit matches.  Every minority, be it Baptist / Unitarian, Irish / Italian / Octogenarian
/ Zen Buddhist, Zionist / Seventh-day Adventist, Women's Lib / Republican, Mattachine /
FourSquareGospel feels it has the will, the right, the duty to douse kerosene, light the
fuse.


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